{"id":219,"date":"2026-01-06T20:44:07","date_gmt":"2026-01-06T19:44:07","guid":{"rendered":"https:\/\/filmparimage.com\/?page_id=219"},"modified":"2026-02-12T20:22:07","modified_gmt":"2026-02-12T19:22:07","slug":"cinescriptographe-de-lazare-ponticelli","status":"publish","type":"page","link":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/","title":{"rendered":"Cin\u00e9scriptographe de Lazare Ponticelli"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Cin\u00e9scriptographe \u2014 Lazare Ponticelli<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Aper\u00e7u cin\u00e9scriptographique (phrase-source)<\/strong><\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014 \u00ab Il n\u2019y a pas de Lazare. \u00bb<\/p>\n<\/blockquote>\n\n\n\n<p>Texte \u00e9crit et publi\u00e9 dans un espace public de discussion radiophonique de France Inter, dans la nuit du 10 au 11 mars 2008.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u00c9v\u00e8nement ult\u00e9rieur (m\u00e9moire r\u00e9v\u00e9latrice)<\/strong><\/h4>\n\n\n\n<p>Le 12 mars 2008, Lazare Ponticelli, dernier survivant fran\u00e7ais de la Premi\u00e8re Guerre mondiale, d\u00e9c\u00e8de \u00e0 l\u2019\u00e2ge de 110 ans.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Lecture cin\u00e9scriptographique (a posteriori)<\/strong><\/h4>\n\n\n\n<p>Apr\u00e8s cet \u00e9v\u00e9nement, la phrase initiale est apparue comme une formulation paradoxale.<br>Lazare \u2014 figure biblique de la r\u00e9surrection \u2014 dispara\u00eet au moment m\u00eame o\u00f9 il devient pleinement figure de m\u00e9moire collective.<\/p>\n\n\n\n<p>Ce cin\u00e9scriptographe entre ainsi en r\u00e9sonance avec :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>la fin des t\u00e9moins directs,<\/li>\n\n\n\n<li>la disparition des corps au profit des archives,<\/li>\n\n\n\n<li>la transformation d\u2019un individu en symbole historique.<\/li>\n<\/ul>\n\n\n\n<p>Il ne s\u2019agit ni d\u2019une pr\u00e9diction, ni d\u2019un commentaire intentionnel, mais d\u2019un aper\u00e7u \u00e9crit en amont, devenu lisible seulement apr\u00e8s coup.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Note<\/strong><\/h5>\n\n\n\n<p>Le cin\u00e9scriptographe n\u2019explique pas les \u00e9v\u00e9nements.<br>Il observe comment certaines phrases, produites sans vis\u00e9e descriptive, peuvent parfois entrer en accord avec le r\u00e9el lorsqu\u2019il se d\u00e9ploie.<\/p>\n\n\n\n<p>Ce cin\u00e9scriptographe s\u2019inscrit dans un cadre de m\u00e9moire historique.<br>La mention de Lazare Ponticelli est faite avec respect pour sa personne et pour ce qu\u2019il repr\u00e9sente dans l\u2019histoire collective.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/filmparimage.com\/index.php\/avant-de-lire\/\">\u2190 Revenir<\/a>\u2009\u00b7\u2009<a href=\"https:\/\/filmparimage.com\/index.php\/sommaire-cinescriptographes\/\">\u21ba Sommaire<\/a>\u2009\u00b7\u2009<a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-soeur-emmanuelle\/\">\u2192 Continuer<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Cinescriptograph \u2014 Lazare Ponticelli<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Cinescriptographic glimpse (source phrase)<\/strong><\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014\u201cThere is no Lazarus.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p>Text written and published in a public radio discussion space on France Inter during the night of March 10\u201311, 2008.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Subsequent event (revealing memory)<\/strong><\/h4>\n\n\n\n<p>On March 12, 2008, Lazare Ponticelli, the last surviving French veteran of the First World War, died at the age of 110.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Cinescriptographic reading (a posteriori)<\/strong><\/h4>\n\n\n\n<p>After this event, the initial phrase appeared as a paradoxical formulation.<br>Lazarus \u2014 the biblical figure of resurrection (Lazare in French) \u2014 disappears at the very moment he becomes fully a figure of collective memory.<\/p>\n\n\n\n<p>This cinescriptograph thus resonates with:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>the end of direct witnesses,<\/li>\n\n\n\n<li>the disappearance of bodies in favor of archives,<\/li>\n\n\n\n<li>the transformation of an individual into a historical symbol.<\/li>\n<\/ul>\n\n\n\n<p>This is neither a prediction nor an intentional commentary, but a glimpse written in advance, becoming readable only after the fact.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Note<\/strong><\/h5>\n\n\n\n<p>The cinescriptograph does not explain events.<br>It observes how certain phrases, produced without descriptive intent, can sometimes align with reality as it unfolds.<\/p>\n\n\n\n<p>This cinescriptograph is situated within a framework of historical memory.<br>The mention of Lazare Ponticelli is made with respect for the individual and for what he represents in collective history.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/filmparimage.com\/index.php\/avant-de-lire\/\">\u2190 Back<\/a> \u00b7 <a href=\"https:\/\/filmparimage.com\/index.php\/sommaire-cinescriptographes\/\">\u21ba Contents<\/a> \u00b7 <a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-soeur-emmanuelle\/\">\u2192 Continue<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cin\u00e9scriptographe \u2014 Lazare Ponticelli Aper\u00e7u cin\u00e9scriptographique (phrase-source) \u2014 \u00ab Il n\u2019y a pas de Lazare. \u00bb Texte \u00e9crit et publi\u00e9 dans un espace public de discussion radiophonique de France Inter, dans la nuit du 10 au 11 mars 2008. \u00c9v\u00e8nement ult\u00e9rieur (m\u00e9moire r\u00e9v\u00e9latrice) Le 12 mars 2008, Lazare Ponticelli, dernier survivant fran\u00e7ais de la Premi\u00e8re&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-219","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9scriptographe de Lazare Ponticelli - Film par Image<\/title>\n<meta name=\"description\" content=\"Premier mouvement des Cin\u00e9scriptographes, Lazare explore l\u2019apercevoir et l\u2019inscription d\u2019une perception confront\u00e9e \u00e0 l\u2019\u00e9v\u00e9nement.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9scriptographe de Lazare Ponticelli - Film par Image\" \/>\n<meta property=\"og:description\" content=\"Premier mouvement des Cin\u00e9scriptographes, Lazare explore l\u2019apercevoir et l\u2019inscription d\u2019une perception confront\u00e9e \u00e0 l\u2019\u00e9v\u00e9nement.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/\" \/>\n<meta property=\"og:site_name\" content=\"Film par Image\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-12T19:22:07+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/filmparimage.com\\\/index.php\\\/cinescriptographe-de-lazare-ponticelli\\\/\",\"url\":\"https:\\\/\\\/filmparimage.com\\\/index.php\\\/cinescriptographe-de-lazare-ponticelli\\\/\",\"name\":\"Cin\u00e9scriptographe de Lazare Ponticelli - Film par Image\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmparimage.com\\\/#website\"},\"datePublished\":\"2026-01-06T19:44:07+00:00\",\"dateModified\":\"2026-02-12T19:22:07+00:00\",\"description\":\"Premier mouvement des Cin\u00e9scriptographes, Lazare explore l\u2019apercevoir et l\u2019inscription d\u2019une perception confront\u00e9e \u00e0 l\u2019\u00e9v\u00e9nement.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/filmparimage.com\\\/index.php\\\/cinescriptographe-de-lazare-ponticelli\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/filmparimage.com\\\/index.php\\\/cinescriptographe-de-lazare-ponticelli\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/filmparimage.com\\\/index.php\\\/cinescriptographe-de-lazare-ponticelli\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/filmparimage.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cin\u00e9scriptographe de Lazare Ponticelli\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/filmparimage.com\\\/#website\",\"url\":\"https:\\\/\\\/filmparimage.com\\\/\",\"name\":\"Film par Image - Legrand Sylvain\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/filmparimage.com\\\/#\\\/schema\\\/person\\\/547f34e67d715f096435a0797e067057\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/filmparimage.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/filmparimage.com\\\/#\\\/schema\\\/person\\\/547f34e67d715f096435a0797e067057\",\"name\":\"Legrand Sylvain\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g\",\"caption\":\"Legrand Sylvain\"},\"logo\":{\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g\"},\"sameAs\":[\"http:\\\/\\\/filmparimage.com\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cin\u00e9scriptographe de Lazare Ponticelli - Film par Image","description":"Premier mouvement des Cin\u00e9scriptographes, Lazare explore l\u2019apercevoir et l\u2019inscription d\u2019une perception confront\u00e9e \u00e0 l\u2019\u00e9v\u00e9nement.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/","og_locale":"fr_FR","og_type":"article","og_title":"Cin\u00e9scriptographe de Lazare Ponticelli - Film par Image","og_description":"Premier mouvement des Cin\u00e9scriptographes, Lazare explore l\u2019apercevoir et l\u2019inscription d\u2019une perception confront\u00e9e \u00e0 l\u2019\u00e9v\u00e9nement.","og_url":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/","og_site_name":"Film par Image","article_modified_time":"2026-02-12T19:22:07+00:00","twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/","url":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/","name":"Cin\u00e9scriptographe de Lazare Ponticelli - Film par Image","isPartOf":{"@id":"https:\/\/filmparimage.com\/#website"},"datePublished":"2026-01-06T19:44:07+00:00","dateModified":"2026-02-12T19:22:07+00:00","description":"Premier mouvement des Cin\u00e9scriptographes, Lazare explore l\u2019apercevoir et l\u2019inscription d\u2019une perception confront\u00e9e \u00e0 l\u2019\u00e9v\u00e9nement.","breadcrumb":{"@id":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lazare-ponticelli\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/filmparimage.com\/"},{"@type":"ListItem","position":2,"name":"Cin\u00e9scriptographe de Lazare Ponticelli"}]},{"@type":"WebSite","@id":"https:\/\/filmparimage.com\/#website","url":"https:\/\/filmparimage.com\/","name":"Film par Image - Legrand Sylvain","description":"","publisher":{"@id":"https:\/\/filmparimage.com\/#\/schema\/person\/547f34e67d715f096435a0797e067057"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/filmparimage.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/filmparimage.com\/#\/schema\/person\/547f34e67d715f096435a0797e067057","name":"Legrand Sylvain","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g","caption":"Legrand Sylvain"},"logo":{"@id":"https:\/\/secure.gravatar.com\/avatar\/4c54330c34bb47c87bbfae03180577b9fd3515a5cf7d9f703668c6e5d68f0541?s=96&d=mm&r=g"},"sameAs":["http:\/\/filmparimage.com"]}]}},"_links":{"self":[{"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/pages\/219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/comments?post=219"}],"version-history":[{"count":40,"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/pages\/219\/revisions"}],"predecessor-version":[{"id":488,"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/pages\/219\/revisions\/488"}],"wp:attachment":[{"href":"https:\/\/filmparimage.com\/index.php\/wp-json\/wp\/v2\/media?parent=219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}