{"id":304,"date":"2026-01-07T14:40:30","date_gmt":"2026-01-07T13:40:30","guid":{"rendered":"https:\/\/filmparimage.com\/?page_id=304"},"modified":"2026-02-13T15:12:46","modified_gmt":"2026-02-13T14:12:46","slug":"cinescriptographe-du-pont-de-larcheveche","status":"publish","type":"page","link":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-du-pont-de-larcheveche\/","title":{"rendered":"Cin\u00e9scriptographe du pont de l\u2019Archev\u00each\u00e9"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Cin\u00e9scriptographe <strong>\u2014<\/strong> Pont de l\u2019Archev\u00each\u00e9<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Aper\u00e7us cin\u00e9scriptographiques (phrases-sources)<\/h4>\n\n\n\n<p>Fragments \u00e9crits et transmis dans diff\u00e9rents espaces publics radiophoniques de France Inter entre ao\u00fbt et septembre 2008 :<\/p>\n\n\n\n<p>Mi-ao\u00fbt 2008 \u2014 message adress\u00e9 lors d\u2019une \u00e9mission matinale radiophonique :<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014 \u00ab Bonjour,<\/p>\n\n\n\n<p>La D\u00e9claration des Droits de l\u2019Homme\u2026<\/p>\n\n\n\n<p>\u00c9pandez la r\u00e9cr\u00e9ation de l\u2019agap\u00e8, de l\u2019amour bien tout-puissant, en tout \u00eatre, ici, en France, entre l\u2019\u00cele-de-France et les r\u00e9gions.<\/p>\n\n\n\n<p>En bras c\u2019est l\u2019autre, sait s\u2019embrasser soi, qu\u2019on ne s\u2019auto-terrorise pas, en plein c\u0153ur, de danser ensemble !<\/p>\n\n\n\n<p>Violez-vous en pouvoir, pouvez-vous en vouloir, pourriez-vous y penser, un si peu ?<\/p>\n\n\n\n<p>Jamais vous n\u2019offrirez une quelconque paix avec une arme, \u00e0 l\u2019attaque. Jamais vous n\u2019accepteriez de voir votre sol foul\u00e9, le d\u00e9fendre. Pensez donc \u00e0 notre remise en forme, plut\u00f4t que nous d\u00e9former sans cesse.<\/p>\n\n\n\n<p>Bonne journ\u00e9e, et bon courage. \u00bb<\/p>\n<\/blockquote>\n\n\n\n<p>\u00b7<\/p>\n\n\n\n<p>12 septembre 2008 \u2014 message transmis lors d\u2019une \u00e9mission en soir\u00e9e<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014 \u00ab Ils ont fait une bousillade de sangliers. Mais moi, j\u2019en mangerai pas, \u00e7a sera trop raide. \u00bb<br>\u2014 \u00ab Ah oui, et j\u2019ai vu un nin-nin belette cache-cou fuchsia humide accroch\u00e9 \u00e0 une branche. \u00bb<\/p>\n<\/blockquote>\n\n\n\n<p><em>Ces phrases sont \u00e9crites sans intention descriptive d\u2019un \u00e9v\u00e9nement pr\u00e9cis.<br>Elles s\u2019appuient sur des paroles adress\u00e9es, des sc\u00e8nes observ\u00e9es, des signes rencontr\u00e9s \u2014 tels qu\u2019ils se pr\u00e9sentent.<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">\u00c9v\u00e8nement ult\u00e9rieur (m\u00e9moire r\u00e9v\u00e9latrice)<\/h4>\n\n\n\n<p>Dans la soir\u00e9e du 13 septembre 2008, un accident rarissime survient sous le pont de l\u2019Archev\u00each\u00e9, \u00e0 Paris, \u00e0 proximit\u00e9 imm\u00e9diate de la cath\u00e9drale Notre-Dame.<\/p>\n\n\n\n<p>Un bateau-mouche percute un bateau de plaisance.<br>Douze personnes se trouvent \u00e0 bord de ce dernier.<br>Un enfant de six ans et son p\u00e8re restent coinc\u00e9s dans la coque et d\u00e9c\u00e8dent.<\/p>\n\n\n\n<p>L\u2019accident survient dans la soir\u00e9e du 13 septembre 2008, au lendemain d\u2019une journ\u00e9e marqu\u00e9e par la visite du pape Beno\u00eet XVI \u00e0 Paris.<br>Apr\u00e8s une c\u00e9r\u00e9monie \u00e0 la cath\u00e9drale Notre-Dame, le pape, accompagn\u00e9 du pr\u00e9sident de la R\u00e9publique, a emprunt\u00e9 le pont de l\u2019Archev\u00each\u00e9 pour se rendre au Coll\u00e8ge des Bernardins, qu\u2019il venait inaugurer.<\/p>\n\n\n\n<p>Le lieu de l\u2019accident correspond ainsi \u00e0 un espace de passage effectif, travers\u00e9 quelques heures plus t\u00f4t par les plus hautes autorit\u00e9s spirituelles et politiques.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Lecture cin\u00e9scriptographique (a posteriori)<\/h4>\n\n\n\n<p>Relus apr\u00e8s l\u2019accident, les aper\u00e7us apparaissent comme des fragments h\u00e9t\u00e9rog\u00e8nes, travers\u00e9s par une m\u00eame tension.<\/p>\n\n\n\n<p>Le lieu de l\u2019accident \u2014 un pont discret, situ\u00e9 \u00e0 l\u2019arri\u00e8re de Notre-Dame \u2014 appara\u00eet alors comme un espace de transit charg\u00e9, travers\u00e9 quelques heures plus t\u00f4t par des figures du pouvoir spirituel et politique.<br>Le passage devient seuil : entre sol et eau, entre protection et exposition, entre c\u00e9r\u00e9monie et accident.<\/p>\n\n\n\n<p>Relus apr\u00e8s les faits, les aper\u00e7us prennent place dans une g\u00e9ographie pr\u00e9cise : celle d\u2019un pont comme lieu de transition, de travers\u00e9e et d\u2019exposition.<br>Le passage, ici, n\u2019est pas symbolique : il a eu lieu.<br>Ce qui s\u2019y joue ensuite rel\u00e8ve de l\u2019accident, de la rupture, de l\u2019irr\u00e9versible.<\/p>\n\n\n\n<p>Le premier texte convoque explicitement des notions de paix, de sol, de violence, d\u2019arme, de responsabilit\u00e9 collective.<br>Il insiste sur ce qui ne doit pas \u00eatre foul\u00e9, sur ce qui ne peut \u00eatre d\u00e9fendu par l\u2019attaque, et sur une confusion entre protection et destruction.<\/p>\n\n\n\n<p>La phrase sur la bousillade de sangliers introduit une violence p\u00e9riph\u00e9rique, non spectaculaire, mais massive, nocturne, collective \u2014 une violence dont on refuse ensuite la consommation, comme si quelque chose devenait soudain impropre, trop dur \u00e0 absorber.<\/p>\n\n\n\n<p>L\u2019apparition du <em>nin-nin belette fuchsia<\/em>, objet incongru et r\u00e9el, aper\u00e7u dans un espace naturel, agit comme un signe isol\u00e9, fragile, presque d\u00e9plac\u00e9.<br>Il ne \u201csymbolise\u201d pas : il insiste.<br>Il attire l\u2019attention par sa couleur, sa pr\u00e9sence improbable, son accrochage \u2014 suspendu, visible seulement \u00e0 condition de regarder.<\/p>\n\n\n\n<p>Mis en relation avec l\u2019accident, ces fragments dessinent une configuration o\u00f9 :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>la violence circule sans \u00eatre imm\u00e9diatement visible,<\/li>\n\n\n\n<li>le passage (pont, travers\u00e9e, nuit) devient un lieu de bascule,<\/li>\n\n\n\n<li>ce qui semble l\u00e9ger, anodin ou ludique peut se trouver brutalement pris dans une dynamique mortelle.<\/li>\n<\/ul>\n\n\n\n<p>Le cin\u00e9scriptographe ne d\u00e9crit pas l\u2019accident.<br>Il en approche les conditions sensibles : brouillage, d\u00e9placement, signes faibles, violence latente.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Note<\/h5>\n\n\n\n<p>Ce cin\u00e9scriptographe n\u2019a pas \u00e9t\u00e9 \u00e9crit dans une intention de commentaire politique, religieux ou moral.<br>Il ne cherche ni \u00e0 expliquer l\u2019accident, ni \u00e0 en \u00e9tablir une causalit\u00e9.<\/p>\n\n\n\n<p>Il observe comment des phrases \u00e9crites \u00e0 partir de signes rencontr\u00e9s \u2014 paroles, sc\u00e8nes, objets r\u00e9els \u2014 peuvent, apr\u00e8s coup, entrer en r\u00e9sonance avec un \u00e9v\u00e9nement, et devenir lisibles autrement lorsque le r\u00e9el se recompose.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-des-legionnaires\/\">\u2190 Revenir<\/a>\u2009\u00b7\u2009<a href=\"https:\/\/filmparimage.com\/index.php\/sommaire-cinescriptographes\/\">\u21ba Sommaire<\/a>\u2009\u00b7\u2009<a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-la-tache-aveugle\/\">\u2192 Continuer<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Cinescriptograph \u2014 Pont de l\u2019Archev\u00each\u00e9<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Cinescriptographic glimpses (source phrases)<\/strong><\/h4>\n\n\n\n<p>Fragments written and transmitted in different public radio spaces between August and September 2008:<\/p>\n\n\n\n<p>Mid-August 2008 \u2014 message addressed during a morning radio program:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014\u201cHello,<br>The Declaration of the Rights of Man\u2026<br>Spread the recreation of agape, of all-powerful love, within every being, here in France, between the \u00cele-de-France and the regions.<br>In each other\u2019s arms, one knows how to embrace oneself, so that we do not terrorize ourselves, at the very heart, but dance together!<br>Do you violate through power, do you wish to do so, could you even think about it, just a little?<br>You will never offer any kind of peace with a weapon, through attack. You would never accept seeing your own ground trampled in order to defend it. Think instead about restoring us, rather than endlessly deforming us.<br>Have a good day, and good courage.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p>\u00b7<\/p>\n\n\n\n<p>12 September 2008 \u2014 message transmitted during an evening program:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014\u201cThey carried out a slaughter of wild boars. But I won\u2019t eat any of it \u2014 it would be too tough.\u201d<br>\u2014\u201cOh yes, and I saw a wet little fuchsia-coloured weasel scarf hanging from a branch.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p><em>These phrases were written without the intention of describing a specific event.<br>They rely on addressed speech, observed scenes, encountered signs \u2014 as they present themselves.<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Subsequent event (revealing memory)<\/strong><\/h4>\n\n\n\n<p>On the evening of 13 September 2008, a very rare accident occurs beneath the Pont de l\u2019Archev\u00each\u00e9 in Paris, in the immediate vicinity of Notre-Dame Cathedral.<br>A sightseeing boat collides with a pleasure craft.<br>Twelve people are on board the latter.<br>A six-year-old child and his forty-year-old father are trapped inside the hull and die.<\/p>\n\n\n\n<p>The accident takes place the evening following a day marked by the visit of Pope Benedict XVI to Paris.<br>After a ceremony at Notre-Dame Cathedral, the Pope, accompanied by the President of the Republic, crossed the Pont de l\u2019Archev\u00each\u00e9 to reach the Coll\u00e8ge des Bernardins, which he had just inaugurated.<br>The site of the accident thus corresponds to an actual passageway, crossed only a few hours earlier by the highest spiritual and political authorities.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Cinescriptographic reading (a posteriori)<\/strong><\/h4>\n\n\n\n<p>Reread after the accident, the glimpses appear as heterogeneous fragments traversed by a single tension.<br>The site of the accident \u2014 a discreet bridge located behind Notre-Dame \u2014 then emerges as a charged space of transit, crossed only hours earlier by figures of spiritual and political power.<\/p>\n\n\n\n<p>The passage becomes a threshold: between ground and water, between protection and exposure, between ceremony and accident.<\/p>\n\n\n\n<p>Reread after the fact, the glimpses take their place within a precise geography:<br>that of a bridge as a site of transition, crossing, and exposure.<br>The passage here is not symbolic: it took place.<br>What follows belongs to accident, rupture, and irreversibility.<\/p>\n\n\n\n<p>The first text explicitly invokes notions of peace, ground, violence, weapons, and collective responsibility.<br>It insists on what must not be trampled, on what cannot be defended through attack, and on a confusion between protection and destruction.<\/p>\n\n\n\n<p>The phrase about the slaughter of wild boars introduces a peripheral violence \u2014 unspectacular, yet massive, nocturnal, collective \u2014 a violence whose consumption is subsequently refused, as if something had suddenly become unfit, too hard to absorb.<\/p>\n\n\n\n<p>The appearance of the fuchsia-coloured weasel scarf, an incongruous and real object glimpsed in a natural setting, acts as an isolated, fragile, almost displaced sign.<br>It does not \u201csymbolize\u201d: it insists.<br>It draws attention through its colour, its improbable presence, its suspension \u2014 visible only on condition of looking.<\/p>\n\n\n\n<p>Placed in relation to the accident, these fragments outline a configuration in which:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>violence circulates without immediately becoming visible,<\/li>\n\n\n\n<li>passage (bridge, crossing, night) becomes a tipping point,<\/li>\n\n\n\n<li>what seems light, trivial, or playful can suddenly be caught in a deadly dynamic.<\/li>\n<\/ul>\n\n\n\n<p>The cinescriptograph does not describe the accident.<br>It approaches its sensitive conditions: blurring, displacement, weak signals, latent violence.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Note<\/strong><\/h5>\n\n\n\n<p>This cinescriptograph was not written with the intention of political, religious, or moral commentary.<br>It neither seeks to explain the accident nor to establish causality.<br>It observes how phrases written from encountered signs \u2014 words, scenes, real objects \u2014 can, after the fact, enter into resonance with an event, and become legible differently as reality recomposes itself.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-des-legionnaires\/\">\u2190 Back<\/a> \u00b7 <a href=\"https:\/\/filmparimage.com\/index.php\/sommaire-cinescriptographes\/\">\u21ba Contents<\/a> \u00b7 <a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-la-tache-aveugle\/\">\u2192 Continue<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cin\u00e9scriptographe \u2014 Pont de l\u2019Archev\u00each\u00e9 Aper\u00e7us cin\u00e9scriptographiques (phrases-sources) Fragments \u00e9crits et transmis dans diff\u00e9rents espaces publics radiophoniques de France Inter entre ao\u00fbt et septembre 2008 : Mi-ao\u00fbt 2008 \u2014 message adress\u00e9 lors d\u2019une \u00e9mission matinale radiophonique : \u2014 \u00ab Bonjour, La D\u00e9claration des Droits de l\u2019Homme\u2026 \u00c9pandez la r\u00e9cr\u00e9ation de l\u2019agap\u00e8, de l\u2019amour bien tout-puissant,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-304","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9scriptographe du pont de l\u2019Archev\u00each\u00e9 - Film par Image<\/title>\n<meta name=\"description\" content=\"Cin\u00e9scriptographe Pont de 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