Fragments \u00e9crits, entendus et transmis dans des espaces radiophoniques de France Inter (\u00e9mission Cadavre exquis<\/em>), dans la nuit du 14 septembre 2008, jour de pleine lune, \u00e0 la Sainte-Croix :<\/p>\n\n\n\n Phrase \u00e9crite et transmise :<\/p>\n\n\n\n \u2014 \u00ab En son point aveugle, elle nous br\u00fble les yeux ! \u00bb<\/p>\n<\/blockquote>\n\n\n\n Amplifications :<\/strong><\/p>\n\n\n\n Phrase prononc\u00e9e en direct par une animatrice :<\/p>\n\n\n\n \u2014 \u00ab Ah oui, \u00e7a, c\u2019est un gros calot. \u00bb<\/p>\n<\/blockquote>\n\n\n\n Phrase prononc\u00e9e en direct par la m\u00eame animatrice :<\/p>\n\n\n\n \u2014 \u00ab Il est comme \u00e7a quand vous n\u2019\u00eates pas l\u00e0. \u00bb<\/p>\n<\/blockquote>\n\n\n\n \u00b7<\/p>\n\n\n\n Dans cette nuit-l\u00e0, l\u2019attention se partage entre deux espaces :<\/p>\n\n\n\n \u00c0 l\u2019int\u00e9rieur, l\u2019\u00e9criture \u00e0 l\u2019ordinateur, adress\u00e9e \u00e0 la radio. La Lune est pleine. Autour d\u2019elle, dans son halo lumineux, apparaissent des formes sombres : des figures noires, triangulaires, parfois proches du rectangle, comme d\u00e9coup\u00e9es dans la lumi\u00e8re elle-m\u00eame. Les allers-retours se multiplient. Regarder \u2014 \u00e9crire \u2014 regarder encore.<\/p>\n<\/blockquote>\n\n\n\n Une autre phrase circule, br\u00e8ve :<\/p>\n\n\n\n \u2014 \u00ab Aimez, vivez. \u00bb<\/p>\n<\/blockquote>\n\n\n\n Le 20 septembre 2008, un attentat d\u00e9truit l\u2019h\u00f4tel Marriott \u00e0 Islamabad, au Pakistan. Une cam\u00e9ra de surveillance situ\u00e9e \u00e0 l\u2019entr\u00e9e enregistre l\u2019approche du v\u00e9hicule. Le lieu dispara\u00eet du champ. La vision s\u2019\u00e9teint.<\/p>\n\n\n\n Relus apr\u00e8s l\u2019attentat, les aper\u00e7us s\u2019organisent autour d\u2019une m\u00eame limite perceptive.<\/p>\n\n\n\n Le \u00ab point aveugle \u00bb n\u2019est pas une absence de regard, mais un lieu pr\u00e9cis de la vision o\u00f9 l\u2019image dispara\u00eet.<\/p>\n\n\n\n La phrase \u00ab En son point aveugle, elle nous br\u00fble les yeux \u00bb r\u00e9sonne alors avec une r\u00e9alit\u00e9 optique connue : celle de la t\u00e2che aveugle d\u00e9crite par Mariotte, o\u00f9 le regard, satur\u00e9, cesse de voir.<\/p>\n\n\n\n La pleine lune, surexpos\u00e9e, les formes sombres d\u00e9coup\u00e9es dans son halo, l\u2019attention oscillant entre dedans et dehors, pr\u00e9figurent une autre disparition d\u2019image : celle de la cam\u00e9ra qui s\u2019\u00e9teint.<\/p>\n\n\n\n Ce cin\u00e9scriptographe ne commente pas l\u2019attentat. Ce cin\u00e9scriptographe n\u2019a pas \u00e9t\u00e9 \u00e9crit dans une intention d\u2019anticipation ou d\u2019interpr\u00e9tation g\u00e9opolitique. \u2190 Revenir<\/a>\u2009\u00b7\u2009\u21ba Sommaire<\/a>\u2009\u00b7\u2009\u2192 Continuer<\/a><\/p>\n\n\n\n Fragments written, heard, and transmitted in radiophonic public spaces on France Inter (Cadavre exquis<\/em> program), during the night of 14 September 2008, a full moon, on the Feast of the Holy Cross:<\/p>\n\n\n\n Written and transmitted phrase:<\/p>\n\n\n\n \u2014\u201cIn its blind spot, it burns our eyes !\u201d<\/p>\n<\/blockquote>\n\n\n\n Amplifications :<\/strong><\/p>\n\n\n\n Phrase spoken live by a radio host:<\/p>\n\n\n\n \u2014\u201cOh yes, that\u2019s a big noggin.\u201d<\/p>\n<\/blockquote>\n\n\n\n Phrase spoken live by the same host:<\/p>\n\n\n\n \u2014\u201cHe\u2019s like that when you\u2019re not there.\u201d<\/p>\n<\/blockquote>\n\n\n\n \u00b7<\/p>\n\n\n\n That night, attention is divided between two spaces:<\/p>\n\n\n\n Indoors, writing at the computer, addressed to the radio. The Moon is full. Around it, in its luminous halo, dark shapes appear: black figures, triangular, sometimes close to rectangular, as if cut directly out of the light itself. The back-and-forth intensifies. Watching \u2014 writing \u2014 watching again.<\/p>\n<\/blockquote>\n\n\n\n Another phrase circulates, brief:<\/p>\n\n\n\n \u2014 \u201cLove, live.\u201d<\/p>\n<\/blockquote>\n\n\n\n On 20 September 2008, a terrorist attack destroys the Marriott Hotel in Islamabad, Pakistan. The explosion kills dozens of people and injures hundreds.<\/p>\n\n\n\n A surveillance camera positioned at the entrance records the vehicle\u2019s approach. Read after the attack, the glimpses organize themselves around a single perceptual limit.<\/p>\n\n\n\n The \u201cblind spot\u201d is not an absence of sight, but a precise location within vision where the image disappears.<\/p>\n\n\n\n The phrase \u201cIn its blind spot, it burns our eyes\u201d then resonates with a well-known optical phenomenon: the blind spot described by Mariotte, where the gaze, saturated, ceases to see.<\/p>\n\n\n\n The overexposed full moon, the dark shapes cut out of its halo, attention oscillating between inside and outside, prefigure another disappearance of the image: that of the camera going dark.<\/p>\n\n\n\n This cinescriptographer does not comment on the attack. This cinescriptographer was not written with the intention of anticipation or geopolitical interpretation. \u2190 Back<\/a> \u00b7 \u21ba Contents<\/a> \u00b7 \u2192 Continue<\/a><\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Cin\u00e9scriptographe \u2014 T\u00e2che aveugle Aper\u00e7us cin\u00e9scriptographiques (phrases-sources) Fragments \u00e9crits, entendus et transmis dans des espaces radiophoniques de France Inter (\u00e9mission Cadavre exquis), dans la nuit du 14 septembre 2008, jour de pleine lune, \u00e0 la Sainte-Croix : Phrase \u00e9crite et transmise : \u2014 \u00ab En son point aveugle, elle nous br\u00fble les yeux ! \u00bb Amplifications :…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-312","page","type-page","status-publish","hentry"],"yoast_head":"\n\n
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\u00c0 l\u2019ext\u00e9rieur, l\u2019observation du ciel.<\/p>\n\n\n\n\n
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\u00c9v\u00e8nement ult\u00e9rieur (m\u00e9moire r\u00e9v\u00e9latrice)<\/h4>\n\n\n\n
Un camion pi\u00e9g\u00e9 force le barrage de s\u00e9curit\u00e9 et explose \u00e0 l\u2019entr\u00e9e de l\u2019\u00e9tablissement.
L\u2019explosion fait plusieurs dizaines de morts et des centaines de bless\u00e9s.<\/p>\n\n\n\n
L\u2019image s\u2019interrompt brutalement au moment de l\u2019explosion.<\/p>\n\n\n\nLecture cin\u00e9scriptographique (a posteriori)<\/h4>\n\n\n\n
Il en approche la condition visuelle : le moment o\u00f9 le regard atteint sa limite, o\u00f9 l\u2019image bascule hors champ, o\u00f9 la lumi\u00e8re devient aveuglante.<\/p>\n\n\n\nNote<\/h5>\n\n\n\n
Il ne relie pas causalement les fragments et l\u2019\u00e9v\u00e9nement.
Il observe comment des phrases dispers\u00e9es, une sc\u00e8ne d\u2019attention nocturne et une m\u00e9moire ult\u00e9rieure peuvent, apr\u00e8s coup, entrer en r\u00e9sonance autour d\u2019un m\u00eame motif : celui de la t\u00e2che aveugle, l\u00e0 o\u00f9 le visible se consume.<\/p>\n\n\n\n
\n\n\n\nCinescriptographer \u2014 Blind Spot<\/h3>\n\n\n\n
Cinescriptographic Glimpses (source phrases)<\/h4>\n\n\n\n
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Outdoors, observing the sky.<\/p>\n\n\n\n\n
Subsequent Event (Revealing Memory)<\/h4>\n\n\n\n
A truck bomb forces its way through the security barrier and explodes at the hotel entrance.<\/p>\n\n\n\n
The image cuts off abruptly at the moment of the explosion.
The site vanishes from the frame. Vision goes dark.<\/p>\n\n\n\nCinescriptographic Reading (a posteriori)<\/h4>\n\n\n\n
It approaches its visual condition: the moment when the gaze reaches its limit, when the image slips out of frame, when light itself becomes blinding.<\/p>\n\n\n\nNote<\/h5>\n\n\n\n
It does not establish a causal link between the fragments and the event.
It observes how scattered phrases, a nocturnal scene of attention, and a later memory can, after the fact, resonate around a single motif: that of the blind spot, where the visible is consumed.<\/p>\n\n\n\n