{"id":406,"date":"2026-01-09T22:46:00","date_gmt":"2026-01-09T21:46:00","guid":{"rendered":"https:\/\/filmparimage.com\/?page_id=406"},"modified":"2026-02-13T13:55:32","modified_gmt":"2026-02-13T12:55:32","slug":"cinescriptographe-de-pan-dort","status":"publish","type":"page","link":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-pan-dort\/","title":{"rendered":"Cin\u00e9scriptographe de Pan dort"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Cin\u00e9scriptographe <strong>\u2014<\/strong> Pan dort<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Aper\u00e7us cin\u00e9scriptographiques (phrases-sources)<\/h4>\n\n\n\n<p><em>Premier semestre 2008<\/em><\/p>\n\n\n\n<p>Un matin, au r\u00e9veil, j\u2019envoie par voie \u00e9lectronique ce seul mot \u00e0 l\u2019\u00e9mission <em>Service Public, Service Priv\u00e9,<\/em> que je m\u2019appr\u00eate \u00e0 \u00e9couter :<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014 \u00ab V\u00e9nus ! \u00bb<\/p>\n<\/blockquote>\n\n\n\n<p>Le 22 septembre 2008, \u00e0 la suite d\u2019une d\u00e9claration radiophonique rapportant les propos de Vladimir Poutine \u2014 \u00ab Ils ont ouvert la bo\u00eete de Pandore \u00bb \u2014 j\u2019envoie ce texte, sous forme de comptine ou d\u2019incantation, dans des \u00e9missions radiophoniques nocturnes de la m\u00eame antenne (France Inter) :<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Des lys de vin, en Chianti,<br>Du neuf quart, pr\u00e8s du treize,<br>Pan dort \u00e0 l\u2019aise,<br>Sacristie !<\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">\u00c9v\u00e8nement ult\u00e9rieur (m\u00e9moire r\u00e9v\u00e9latrice)<\/h4>\n\n\n\n<p>Le 13 novembre 2008, nuit de pleine lune, un rassemblement de huit cents \u00e0 mille \u00e9leveurs d\u2019ovins a lieu sur le Champ-de-Mars, au pied de la tour Eiffel.<br>Les manifestants viennent avec leurs troupeaux de brebis, occupant l\u2019espace central de la capitale par une pr\u00e9sence animale, pastorale et silencieuse.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Lecture cin\u00e9scriptographique (a posteriori)<\/h4>\n\n\n\n<p>Relus apr\u00e8s coup, ces aper\u00e7us s\u2019organisent autour d\u2019un m\u00eame r\u00e9gime panique et rituel.<\/p>\n\n\n\n<p>Le premier appel \u2014 \u00ab V\u00e9nus ! \u00bb \u2014 agit comme une invocation. Il ne d\u00e9signe pas un objet, mais une force : celle du lever, de l\u2019attraction, de l\u2019apparition.<\/p>\n\n\n\n<p>La comptine envoy\u00e9e quelques mois plus tard assemble des \u00e9l\u00e9ments h\u00e9t\u00e9rog\u00e8nes : le vin, la g\u00e9ographie fragment\u00e9e, le sacr\u00e9, le sommeil.<br>Le mot central \u2014 <em>Pan dort<\/em> \u2014 condense le mouvement : le dieu des troupeaux est pr\u00e9sent, mais assoupi. Pan n\u2019est pas ici une m\u00e9taphore : il renvoie litt\u00e9ralement au troupeau, \u00e0 sa lenteur, \u00e0 sa masse vivante. La bo\u00eete est ouverte, mais rien n\u2019explose encore.<\/p>\n\n\n\n<p>\u00ab Du neuf quart, pr\u00e8s du treize \u00bb n\u2019installe pas une adresse, mais une zone : celle des seuils, des voisinages, des marges. L\u2019espace est compt\u00e9 sans \u00eatre fix\u00e9.<\/p>\n\n\n\n<p>Lorsque, en novembre, les brebis apparaissent au c\u0153ur de Paris, jour de pleine lune, le pastoral quitte le mythe pour entrer dans le r\u00e9el. Le Champ-de-Mars devient une sc\u00e8ne archa\u00efque : corps animaux, lenteur, masse silencieuse, exposition collective.<\/p>\n\n\n\n<p>Ce qui \u00e9tait formul\u00e9 comme incantation devient configuration visible. Pan ne parle pas. Pan est l\u00e0. Il dormait.<\/p>\n\n\n\n<p>Ce cin\u00e9scriptographe ne pr\u00e9dit pas l\u2019\u00e9v\u00e9nement. Il en pr\u00e9pare la texture sensible : l\u2019irruption du vivant, le retour du troupeau, la suspension entre sacr\u00e9 et politique.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Note<\/h5>\n\n\n\n<p>Ce cin\u00e9scriptographe n\u2019\u00e9tablit aucune causalit\u00e9 entre les phrases envoy\u00e9es et le rassemblement du 13 novembre 2008.<br>Il observe comment une suite de mots \u2014 invocation, comptine, glissement phon\u00e9tique \u2014 peut, apr\u00e8s coup, entrer en r\u00e9sonance avec une apparition collective du vivant dans l\u2019espace public.<br>Il ne propose ni lecture mythologique syst\u00e9matique ni interpr\u00e9tation politique directe.<br>Il enregistre la mani\u00e8re dont certaines figures anciennes \u2014 Pan, Pandore, le troupeau \u2014 peuvent r\u00e9\u00e9merger sous une forme contemporaine, silencieuse et pleinement r\u00e9elle.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lembuscade\/\">\u2190 Revenir<\/a>\u2009\u00b7\u2009<a href=\"https:\/\/filmparimage.com\/index.php\/sommaire-cinescriptographes\/\">\u21ba Sommaire<\/a>\u2009\u00b7\u2009<a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-taser\/\">\u2192 Continuer<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Cinescriptograph <strong>\u2014<\/strong> Pan Dort<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Cinescriptographic glimpses (source phrases)<\/h4>\n\n\n\n<p><em>First half of 2008<\/em><\/p>\n\n\n\n<p>One morning, upon waking, I send this single word electronically to a radio program (<em>Service Public, Service Priv\u00e9<\/em>) I am about to listen to:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2014 \u201cVenus!\u201d<\/p>\n<\/blockquote>\n\n\n\n<p>On September 22, 2008, following a radio statement reporting Vladimir Putin\u2019s words \u2014<br>\u201cThey have opened Pandora\u2019s box\u201d \u2014 I send this text, in the form of a rhyme or incantation, to late-night radio programs from the same station (France Inter):<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Lilies of wine, in Chianti,<br>From nine-four, near thirteen,<br>Pan dort at ease,<br>Sacristy!<\/p>\n<\/blockquote>\n\n\n\n<p>(<em>Pan dort<\/em> is left in French, preserving its phonetic ambiguity: \u201cPan sleeps\u201d.)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Subsequent event (revealing memory)<\/h4>\n\n\n\n<p>On November 13, 2008, during the day of the full moon, a gathering of eight hundred to one thousand sheep farmers takes place on the Champ-de-Mars, at the foot of the Eiffel Tower.<br>The demonstrators arrive with their flocks of sheep, occupying the central space of the capital with an animal, pastoral, and silent presence.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Cinescriptographic reading (a posteriori)<\/h4>\n\n\n\n<p>Read after the fact, these glimpses organize themselves around the same panic and ritual regime.<\/p>\n\n\n\n<p>The first call \u2014 \u201cVenus!\u201d \u2014 functions as an invocation. It does not designate an object, but a force: that of rising, attraction, appearance.<\/p>\n\n\n\n<p>The rhyme sent a few months later assembles heterogeneous elements: wine, fragmented geography, the sacred, sleep.<br>The central expression \u2014 <em>Pan dort<\/em> \u2014 condenses the movement: the god of flocks is present, but asleep. Pan is not a metaphor here: it literally refers to the herd, to its slowness, to its living mass. The box has been opened, but nothing has exploded yet.<\/p>\n\n\n\n<p>\u201cFrom nine-four, near thirteen\u201d does not establish an address, but a zone: that of thresholds, adjacencies, margins. Space is counted without being fixed.<\/p>\n\n\n\n<p>When, in November, the sheep appear in the heart of Paris, under the full moon, the pastoral leaves myth and enters the real. The Champ-de-Mars becomes an archaic stage: animal bodies, slowness, silent mass, collective exposure.<\/p>\n\n\n\n<p>What had been formulated as incantation becomes a visible configuration. Pan does not speak. Pan is there. He was sleeping.<\/p>\n\n\n\n<p>This cinescriptograph does not predict the event. It prepares its sensible texture: the irruption of the living, the return of the flock, the suspension between the sacred and the political.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Note<\/h5>\n\n\n\n<p>This cinescriptograph establishes no causal link between the phrases sent and the gathering of November 13, 2008.<br>It observes how a sequence of words \u2014 invocation, rhyme, phonetic slippage \u2014 can, after the fact, resonate with a collective appearance of living beings in public space.<br>It proposes neither a systematic mythological reading nor a direct political interpretation.<br>It records how certain ancient figures \u2014 Pan, Pandora, the flock \u2014 can re-emerge in a contemporary form, silent and fully real.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-lembuscade\/\">\u2190 Back<\/a> \u00b7 <a href=\"https:\/\/filmparimage.com\/index.php\/sommaire-cinescriptographes\/\">\u21ba Contents<\/a> \u00b7 <a href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-taser\/\">\u2192 Continue<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cin\u00e9scriptographe \u2014 Pan dort Aper\u00e7us cin\u00e9scriptographiques (phrases-sources) Premier semestre 2008 Un matin, au r\u00e9veil, j\u2019envoie par voie \u00e9lectronique ce seul mot \u00e0 l\u2019\u00e9mission Service Public, Service Priv\u00e9, que je m\u2019appr\u00eate \u00e0 \u00e9couter : \u2014 \u00ab V\u00e9nus ! \u00bb Le 22 septembre 2008, \u00e0 la suite d\u2019une d\u00e9claration radiophonique rapportant les propos de Vladimir Poutine \u2014&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-406","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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