{"id":432,"date":"2026-01-12T11:48:55","date_gmt":"2026-01-12T10:48:55","guid":{"rendered":"https:\/\/filmparimage.com\/?page_id=432"},"modified":"2026-02-13T13:42:39","modified_gmt":"2026-02-13T12:42:39","slug":"cinescriptographe-des-attentats-de-mumbai","status":"publish","type":"page","link":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-des-attentats-de-mumbai\/","title":{"rendered":"Cin\u00e9scriptographe des attentats de Mumbai"},"content":{"rendered":"\n

Cin\u00e9scriptographe \u2014<\/strong> Attentats de Mumbai<\/h2>\n\n\n\n

Aper\u00e7us cin\u00e9scriptographiques (phrases-sources)<\/h4>\n\n\n\n

Premier semestre \u2013 novembre 2008<\/em><\/p>\n\n\n\n

\n

\u2014 \u00ab C\u2019est toujours des onze et des multiples de trois, parce que le onze c\u2019est la force universelle. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Phrase envoy\u00e9e par voie \u00e9lectronique dans une \u00e9mission de France Inter, premier semestre 2008, \u00e0 propos du terrorisme international.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u00ab Essai free ! \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Fragment envoy\u00e9 par voie \u00e9lectronique \u00e0 une \u00e9mission de France Inter au second semestre 2008.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

Extrait d\u2019un courrier \u00e9lectronique adress\u00e9 \u00e0 l\u2019\u00e9mission Parking de Nuit<\/em>, le 25 novembre 2008 \u00e0 23 h 36 :<\/p>\n\n\n\n

\n

\u2014 \u00ab J\u2019assumerai si je prends le risque d\u2019avancer sur ce fil sans filet.
Je poursuis mon chemin, sur les pistes aux \u00e9toiles, jour et nuit.
La cr\u00e9ation constructive. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

\u00b7<\/p>\n\n\n\n

Autres fragments envoy\u00e9s dans la nuit du 25 au 26 novembre 2008 vers 2 h 00 :<\/p>\n\n\n\n

\n

\u2014 \u00ab La presse souffre,
la foule presse,
la foule souffre,
la presse foule. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

\n

\u2014 \u00ab Esp\u00e9rer voyager par vos ondes ail\u00e9es.
Les chouettes dans la nuit.
Les destin\u00e9es de vies.
Corps cerf ! \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Dernier po\u00e8me envoy\u00e9 le 26 novembre 2008 vers 3 h 50 :<\/p>\n\n\n\n

\n

\u2014 \u00ab Sauve qui peut :
Macadam, combustible,
porcelaine, cristal, fa\u00efence,
gravier d\u2019hier,
assis en la terre,
je me tais, je m\u2019enterre,
Omelette. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

\u00c9v\u00e8nement ult\u00e9rieur (m\u00e9moire r\u00e9v\u00e9latrice)<\/h4>\n\n\n\n

Dans la nuit du 26 au 27 novembre 2008, un commando terroriste arrive par la mer \u00e0 Mumbai (ex-Bombay).
Les assaillants tirent sur la foule, investissent le centre-ville, prennent en otage les occupants de deux h\u00f4tels de luxe \u2014 le Taj Mahal Palace et l\u2019Oberoi Trident \u2014 et commettent plusieurs attentats, notamment \u00e0 la gare Victoria Terminus, \u00e0 proximit\u00e9 d\u2019une salle de cin\u00e9ma et d\u2019un h\u00f4pital.<\/p>\n\n\n\n

L\u2019attaque, revendiqu\u00e9e par un groupe se pr\u00e9sentant comme les Moujahidines du Deccan<\/em>, dure plus de soixante heures. Elle fait plus de 150 morts et plusieurs centaines de bless\u00e9s. Parmi les victimes figure la cr\u00e9atrice de lingerie Princesse Tam Tam.<\/p>\n\n\n\n

Lecture cin\u00e9scriptographique (a posteriori)<\/h4>\n\n\n\n

Relus apr\u00e8s coup, ces aper\u00e7us se structurent autour d\u2019un m\u00eame r\u00e9gime de tension nocturne.
L\u2019\u00e9criture y avance sur un fil : sans filet, sans visibilit\u00e9, dans un espace satur\u00e9 de signes.<\/p>\n\n\n\n

Les motifs se r\u00e9p\u00e8tent et se croisent : la foule et la presse, la nuit et les ondes, la mer et le d\u00e9placement, la fragilit\u00e9 des mati\u00e8res \u2014 porcelaine, cristal, textile.<\/p>\n\n\n\n

Le mot free<\/em> ne d\u00e9signe pas la libert\u00e9, mais l\u2019exposition. Avancer \u201cfree\u201d, c\u2019est avancer sans protection.<\/p>\n\n\n\n

La mer, \u00e9voqu\u00e9e indirectement, devient un vecteur r\u00e9el : le commando arrive par bateau.<\/p>\n\n\n\n

La ville est fragment\u00e9e : gare, h\u00f4tel, cin\u00e9ma, h\u00f4pital. Des lieux de passage, de repos, de repr\u00e9sentation, de soin \u2014 tous perfor\u00e9s.<\/p>\n\n\n\n

La figure de Princesse Tam Tam condense cette logique : le textile, l\u2019intime, le corps expos\u00e9, la douceur prise dans une violence extr\u00eame.<\/p>\n\n\n\n

Ce cin\u00e9scriptographe ne d\u00e9crit pas l\u2019attentat. Il en capte la texture pr\u00e9alable : saturation, nocturne, fragilit\u00e9, circulation, et rupture brutale du lien.<\/p>\n\n\n\n

Note<\/h5>\n\n\n\n

Ce cin\u00e9scriptographe n\u2019\u00e9tablit aucune causalit\u00e9 entre les messages envoy\u00e9s et les attentats de Mumbai.
Il observe comment une \u00e9criture fragment\u00e9e, nocturne et satur\u00e9e peut, apr\u00e8s coup, entrer en r\u00e9sonance avec un \u00e9v\u00e9nement de violence extr\u00eame survenu dans un espace urbain mondialis\u00e9.<\/p>\n\n\n\n

Il ne s\u2019agit ni d\u2019une intuition proph\u00e9tique, ni d\u2019un commentaire g\u00e9opolitique.
Il s\u2019agit d\u2019une lecture par affinit\u00e9 de formes, o\u00f9 le fil, la foule, la mer et la nuit composent un m\u00eame r\u00e9gime sensible.<\/p>\n\n\n\n

\u2190 Revenir<\/a>\u2009\u00b7\u2009\u21ba Sommaire<\/a>\u2009\u00b7\u2009\u2192 Continuer<\/a><\/p>\n\n\n\n

\n\n\n\n

Cinescriptograph \u2014 Mumbai Attacks<\/strong><\/h3>\n\n\n\n

Cinescriptographic glimpses (source phrases)<\/strong><\/h4>\n\n\n\n

First half of the year \u2013 November 2008<\/em><\/p>\n\n\n\n

\n

\u2014 \u201cIt\u2019s always elevens and multiples of three, because eleven is universal force.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Phrase sent electronically to a France Inter program, first half of 2008, regarding international terrorism.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u201cEssai free!\u201d<\/p>\n<\/blockquote>\n\n\n\n

Fragment sent electronically to a France Inter broadcast in the second half of 2008.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

Excerpt from an email sent to the program Parking de Nuit on November 25, 2008, at 11:36 p.m.:<\/p>\n\n\n\n

\n

\u2014\u201cI will take responsibility if I take the risk of moving forward on this line without a safety net.
I continue on my path, on the tracks of the stars, day and night.
Constructive creation.\u201d<\/p>\n<\/blockquote>\n\n\n\n

\u00b7<\/p>\n\n\n\n

Other fragments sent during the night of November 25\u201326, 2008, around 2:00 a.m.:<\/p>\n\n\n\n

\n

\u2014 \u201cThe press suffers,
the crowd presses,
the crowd suffers,
the press tramples.\u201d<\/p>\n<\/blockquote>\n\n\n\n

\n

\u2014 \u201cTo hope to travel through your winged waves.
Owls in the night.
The destinies of lives.
corps cerf ! \u201d (phonetic fragmentation of \u201ccorsair\u201d )<\/p>\n<\/blockquote>\n\n\n\n

Last poem sent on November 26, 2008, around 3:50 a.m.:<\/p>\n\n\n\n

\n

\u2014 \u201c<\/em>Every man for himself:
Macadam, combustible,
porcelain, crystal, faience,
yesterday’s gravel,
seated in the earth,
I fall silent, I bury myself,
Omelette.\u201d<\/em><\/p>\n<\/blockquote>\n\n\n\n

Subsequent event (revealing memory)<\/strong><\/h4>\n\n\n\n

During the night of November 26\u201327, 2008, a terrorist commando arrives by sea in Mumbai (formerly Bombay).
The attackers open fire on the crowd, seize control of the city center, take hostages in two luxury hotels\u2014the Taj Mahal Palace and the Oberoi Trident\u2014and carry out multiple attacks, notably at Victoria Terminus railway station, near a cinema and a hospital.
The assault, claimed by a group calling itself the Deccan Mujahideen, lasts more than sixty hours.
It leaves over 150 people dead and several hundred injured.
Among the victims is the lingerie designer Princesse Tam Tam.<\/p>\n\n\n\n

Cinescriptographic reading (a posteriori)<\/strong><\/h4>\n\n\n\n

Read after the fact, these glimpses organize themselves around a single regime of nocturnal tension.
The writing moves forward on a line: without a safety net, without visibility, in a space saturated with signs.<\/p>\n\n\n\n

Motifs repeat and intersect: the crowd and the press, night and radio waves, the sea and displacement, the fragility of materials\u2014porcelain, crystal, textile.<\/p>\n\n\n\n

The word free<\/em> does not signify freedom, but exposure. To move forward \u201cfree\u201d is to move forward without protection.<\/p>\n\n\n\n

The sea, indirectly evoked, becomes a concrete vector: the commando arrives by boat.<\/p>\n\n\n\n

The city is fragmented: station, hotel, cinema, hospital. Places of passage, rest, representation, and care\u2014each perforated.<\/p>\n\n\n\n

The figure of Princesse Tam Tam condenses this logic: textile, intimacy, the exposed body, softness caught in extreme violence.<\/p>\n\n\n\n

This cinescriptograph does not describe the attack. It records its prior texture: saturation, nocturnality, fragility, circulation, and the brutal rupture of connection.<\/p>\n\n\n\n

Note<\/strong><\/h5>\n\n\n\n

This cinescriptograph establishes no causal relationship between the messages sent and the Mumbai attacks.
It observes how fragmented, nocturnal, and saturated writing can, after the fact, enter into resonance with an event of extreme violence occurring within a globalized urban space.<\/p>\n\n\n\n

\u2190 Back<\/a> \u00b7 \u21ba Contents<\/a> \u00b7 \u2192 Continue<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Cin\u00e9scriptographe \u2014 Attentats de Mumbai Aper\u00e7us cin\u00e9scriptographiques (phrases-sources) Premier semestre \u2013 novembre 2008 \u2014 \u00ab C\u2019est toujours des onze et des multiples de trois, parce que le onze c\u2019est la force universelle. \u00bb Phrase envoy\u00e9e par voie \u00e9lectronique dans une \u00e9mission de France Inter, premier semestre 2008, \u00e0 propos du terrorisme international. \u00b7 \u2014 \u00ab…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-432","page","type-page","status-publish","hentry"],"yoast_head":"\nCin\u00e9scriptographe des attentats de Mumbai - 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