{"id":539,"date":"2026-01-19T10:15:32","date_gmt":"2026-01-19T09:15:32","guid":{"rendered":"https:\/\/filmparimage.com\/?page_id=539"},"modified":"2026-02-13T13:59:22","modified_gmt":"2026-02-13T12:59:22","slug":"cinescriptographe-de-madoff","status":"publish","type":"page","link":"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-madoff\/","title":{"rendered":"Cin\u00e9scriptographe de Madoff"},"content":{"rendered":"\n

Cin\u00e9scriptographe \u2014<\/strong> Madoff<\/h2>\n\n\n\n

Aper\u00e7us cin\u00e9scriptographiques (phrases-sources)<\/h4>\n\n\n\n

Premier semestre \u2013 d\u00e9cembre 2008<\/em><\/p>\n\n\n\n

\n

\u2014 \u00ab C\u2019est comme un big high. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Phrase envoy\u00e9e par voie \u00e9lectronique \u00e0 une \u00e9mission de France Inter, d\u00e9but 2008.<\/p>\n\n\n\n

\n

Geste performatif d\u00e9crit par voie \u00e9lectronique : \u2014 \u00ab Mayonnaise, ketchup, pppfffuuurz<\/em> \u2014 deux tubes de sauces souples vid\u00e9s dans une assiette. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Message adress\u00e9 \u00e0 l\u2019\u00e9mission \u00c7a se bouffe pas, \u00e7a se mange !<\/em>, fin du premier semestre 2008.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u00ab Asti. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Bouteille de vin mousseux offerte \u00e0 France Inter \u00e0 l\u2019occasion de mon anniversaire, fin ao\u00fbt 2008, transmise \u00e0 l\u2019\u00e9mission Parking de Nuit<\/em> par l\u2019interm\u00e9diaire d\u2019une assistante.<\/p>\n\n\n\n

Pr\u00e9-amplification<\/strong> : <\/p>\n\n\n\n

\n

\u2014 \u00ab On a d\u00e9nich\u00e9 quelque chose. Celle-ci, elle est pour toi, Jean-Louis. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Remarque prononc\u00e9e \u00e0 l\u2019antenne de Parking de Nuit<\/em>, \u00e0 propos de la bouteille.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u00ab Pauvre p\u00eacheur peut-\u00eatre. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Fragment envoy\u00e9 par voie \u00e9lectronique fin ao\u00fbt 2008.<\/p>\n\n\n\n

Recherche internet: je d\u00e9couvre qu\u2019ASTI (Ascent Solar Technology Inc.) est une soci\u00e9t\u00e9 cot\u00e9 au Nasdaq.<\/p>\n\n\n\n

Amplification :<\/strong><\/p>\n\n\n\n

\n

\u2014 \u00ab Tu vas \u00e0 la p\u00eache au gros, toi ?! \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Phrase entendue dans une chronique radiophonique (Le Fou du Roi<\/em> ), tout d\u00e9but septembre 2008.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u00ab C\u2019est l\u2019effet be high. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Fragment envoy\u00e9 d\u00e9but novembre 2008, apr\u00e8s l\u2019\u00e9lection pr\u00e9sidentielle am\u00e9ricaine.<\/p>\n\n\n\n

\n

\u2014 \u00ab Smacks. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Mot envoy\u00e9 par voie \u00e9lectronique \u00e0 Parking de Nuit<\/em>, au moment o\u00f9 un duo de musiciens aveugles chante \u00e0 l\u2019antenne (Amadou & Mariam<\/em>), pendant All\u00f4 La Plan\u00e8te<\/em>, 10 d\u00e9cembre 2008.<\/p>\n\n\n\n

\n

\u2014 \u00ab Oh pardon, je suis perdu. \u00bb<\/p>\n<\/blockquote>\n\n\n\n

Message envoy\u00e9 quelques minutes plus tard.<\/p>\n\n\n\n

\u00c9v\u00e8nement ult\u00e9rieur (m\u00e9moire r\u00e9v\u00e9latrice)<\/h4>\n\n\n\n

Le 12 d\u00e9cembre 2008, Bernard Madoff est arr\u00eat\u00e9 \u00e0 New York par le FBI pour une fraude financi\u00e8re estim\u00e9e \u00e0 plus de 50 milliards de dollars.
Ancien ma\u00eetre-nageur sur les plages de Long Island, il met en place d\u00e8s les ann\u00e9es 1960 un syst\u00e8me inspir\u00e9 du sch\u00e9ma de Ponzi, promettant des rendements \u00e9lev\u00e9s sur des placements fictifs.
La crise financi\u00e8re mondiale provoque l\u2019effondrement du dispositif et r\u00e9v\u00e8le l\u2019ampleur de la fraude.
Madoff a jou\u00e9 un r\u00f4le majeur dans le d\u00e9veloppement du Nasdaq, qu\u2019il pr\u00e9side de 1990 \u00e0 1993.
La veille de son arrestation, il d\u00e9clare : \u00ab J\u2019ai tout perdu. Je suis fini. \u00bb
Inculp\u00e9 et condamn\u00e9 \u00e0 150 ans de prison, Bernard Madoff demandera pardon \u00e0 ses millions de victimes.<\/p>\n\n\n\n

Lecture cin\u00e9scriptographique (a posteriori)<\/h4>\n\n\n\n

Relus apr\u00e8s coup, ces aper\u00e7us s\u2019organisent autour d\u2019un m\u00eame r\u00e9gime de l\u2019euphorie, du m\u00e9lange et de la perte de rep\u00e8res.
Tout commence par un \u00e9tat : big high<\/em>, be high<\/em>. Non pas l\u2019ivresse festive, mais une mont\u00e9e artificielle, sans base r\u00e9elle.<\/p>\n\n\n\n

Les gestes et les mots \u00e9voquent l\u2019assemblage sans discernement : sauces m\u00e9lang\u00e9es, couleurs confondues, textures \u00e9cras\u00e9es. La mayonnaise et le ketchup ne forment pas une recette, mais une saturation. Quelque chose prend, mais sans structure.<\/p>\n\n\n\n

Le vocabulaire de la p\u00eache traverse discr\u00e8tement l\u2019ensemble : pauvre p\u00eacheur, p\u00eache au gros, p\u00each\u00e9 \u00e0 l\u2019aveuglette. Il ne s\u2019agit pas de ma\u00eetrise, mais d\u2019attraper sans voir, de tirer quelque chose de l\u2019eau sans savoir ce qui remonte.<\/p>\n\n\n\n

Le \u201cgros\u201d n\u2019est pas nomm\u00e9 sur le moment. Il d\u00e9signe une masse indistincte, un volume sans visage, un lieu abstrait de concentration. Ce n\u2019est qu\u2019apr\u00e8s coup que le mot prend son poids r\u00e9el : le Nasdaq, espace de cotation, de promesses et de captures \u00e0 grande \u00e9chelle.<\/p>\n\n\n\n

L\u2019offrande d\u2019une bouteille \u2014 Asti \u2014 ajoute un autre glissement. Le nom circule entre boisson festive, territoire, acronyme boursier. La bulle est \u00e0 la fois liquide, financi\u00e8re et symbolique.<\/p>\n\n\n\n

Les derniers mots marquent le basculement : Smacks<\/em>, c\u00e9r\u00e9ales souffl\u00e9es de bl\u00e9, mascotte, l\u00e9g\u00e8ret\u00e9 extr\u00eame ; puis : \u00ab je suis perdu \u00bb. L\u2019euphorie s\u2019effondre en d\u00e9sorientation.<\/p>\n\n\n\n

La m\u00e9moire r\u00e9v\u00e9latrice vient donner \u00e0 cette configuration une figure pr\u00e9cise.
La fraude Madoff repose sur ce m\u00eame r\u00e9gime : promesse de rendement, gonflement artificiel, m\u00e9lange des flux, absence de sol. La finance devient une mati\u00e8re souffl\u00e9e, tenue par l\u2019air. Tout se pr\u00e9sente sous des formes l\u00e9g\u00e8res, comestibles, ludiques, alors que ce qui se joue engage des masses invisibles et irr\u00e9versibles. Lorsque la crise retire l\u2019oxyg\u00e8ne, tout retombe.<\/p>\n\n\n\n

Ce cin\u00e9scriptographe ne d\u00e9crit pas la fraude. Il en enregistre la texture pr\u00e9alable : mont\u00e9e, m\u00e9lange, aveuglement, puis chute sans \u00e9clat.<\/p>\n\n\n\n

Note<\/h5>\n\n\n\n

Ce cin\u00e9scriptographe n\u2019\u00e9tablit aucune causalit\u00e9 entre les messages envoy\u00e9s et l\u2019arrestation de Bernard Madoff.
Il observe comment une s\u00e9rie de mots, de gestes et de situations marqu\u00e9s par l\u2019euphorie, la confusion et la perte de rep\u00e8res peut, apr\u00e8s coup, entrer en r\u00e9sonance avec un effondrement financier majeur.
Il ne s\u2019agit ni d\u2019une analyse \u00e9conomique ni d\u2019une all\u00e9gorie morale, mais d\u2019une lecture par affinit\u00e9 sensible, o\u00f9 la bulle \u2014 alimentaire, symbolique, financi\u00e8re \u2014 finit toujours par se d\u00e9gonfler.<\/p>\n\n\n\n

\u2190 Revenir<\/a>\u2009\u00b7\u2009\u21ba Sommaire<\/a>\u2009\u00b7\u2009\u2192 Continuer<\/a><\/p>\n\n\n\n

\n\n\n\n

Cinescriptographer \u2014 Madoff<\/strong><\/h3>\n\n\n\n

Cinescriptographic Glimpses (source phrases)<\/strong><\/h4>\n\n\n\n

First semester \u2013 December 2008<\/em><\/p>\n\n\n\n

\n

\u2014 \u201cIt\u2019s like a big high.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Phrase sent electronically to a France Inter radio program, early 2008.<\/p>\n\n\n\n

\n

Performative gesture described electronically: \u2014\u00a0\u00bbMayonnaise, ketchup, pppfffuuurz<\/em> \u2014 two soft plastic sauce tubes emptied into a plate.\u00a0\u00bb<\/p>\n<\/blockquote>\n\n\n\n

Message sent to the program \u00c7a se bouffe pas, \u00e7a se mange!<\/em> at the end of the first semester 2008.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u201cAsti.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Bottle of sparkling wine offered to France Inter on the occasion of my birthday, late August 2008, passed on to the program Parking de Nuit<\/em> through an assistant.<\/p>\n\n\n\n

Pre-Amplification<\/strong> :<\/p>\n\n\n\n

\n

\u2014 \u201cWe\u2019ve found something. This one\u2019s for you, Jean-Louis.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Remark spoken on air during Parking de Nuit<\/em>, referring to the bottle.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u201cPoor fisherman, perhaps.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Fragment sent electronically at the end of August 2008.<\/p>\n\n\n\n

Internet search: I discover that ASTI (Ascent Solar Technology Inc.) is a company listed on the Nasdaq.<\/p>\n\n\n\n

Amplification :<\/strong><\/p>\n\n\n\n

\n

\u2014 \u201cYou\u2019re going big-game fishing, are you?!\u201d<\/p>\n<\/blockquote>\n\n\n\n

Sentence heard in a radio column (Le Fou du Roi<\/em>), very early September 2008.<\/p>\n\n\n\n

\u00b7<\/p>\n\n\n\n

\n

\u2014 \u201cC\u2019est l\u2019effet be high<\/em>.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Fragment sent in early November 2008, after the U.S. presidential election.<\/p>\n\n\n\n

\n

\u2014 \u201cSmacks.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Word sent electronically to Parking de Nuit<\/em> while a duo of blind musicians was singing on air (Amadou & Mariam<\/em>), during All\u00f4 La Plan\u00e8te<\/em>, December 10, 2008.<\/p>\n\n\n\n

\n

\u2014 \u201cOh sorry, I\u2019m lost.\u201d<\/p>\n<\/blockquote>\n\n\n\n

Message sent a few minutes later.<\/p>\n\n\n\n

Subsequent Event (Revealing Memory)<\/strong><\/h4>\n\n\n\n

On December 12, 2008, Bernard Madoff is arrested in New York by the FBI for a financial fraud estimated at over 50 billion dollars.
A former lifeguard on the beaches of Long Island, he had been implementing since the 1960s a system inspired by the Ponzi scheme, promising high returns on fictitious investments.
The global financial crisis causes the collapse of the operation and exposes the scale of the fraud.
Madoff played a major role in the development of the Nasdaq, which he chaired from 1990 to 1993.
On the eve of his arrest, he declared: \u201cI\u2019ve lost everything. I\u2019m finished.\u201d
Convicted and sentenced to 150 years in prison, Bernard Madoff would later apologize to his millions of victims.<\/p>\n\n\n\n

Cinescriptographic Reading (a posteriori)<\/strong><\/h4>\n\n\n\n

Read after the fact, these glimpses organize themselves around a shared regime of euphoria, mixture, and loss of bearings.
It begins with a state: big high<\/em>, be high<\/em>. Not festive intoxication, but an artificial rise, without real foundation. The gestures and words evoke indiscriminate assemblage: mixed sauces, confused colors, crushed textures. Mayonnaise and ketchup do not form a recipe, but a saturation. Something sets, but without structure.<\/p>\n\n\n\n

The vocabulary of fishing discreetly runs through the whole: poor fisherman, big-game fishing, fishing blind. This is not mastery, but catching without seeing, pulling something out of the water without knowing what will surface.
The \u201cbig one\u201d is not named at the time. It designates an indistinct mass, a faceless volume, an abstract site of concentration. Only afterward does the word acquire its real weight: the Nasdaq, a space of quotation, promises, and large-scale captures.<\/p>\n\n\n\n

The offering of a bottle \u2014 Asti \u2014 introduces another slippage. The name circulates between festive drink, territory, and stock-market acronym. The bubble is at once liquid, financial, and symbolic.<\/p>\n\n\n\n

The final words mark the tipping point: Smacks<\/em>, puffed wheat cereal, mascot, extreme lightness; a blind voice on the radio; then: \u201cI\u2019m lost.\u201d Euphoria collapses into disorientation.<\/p>\n\n\n\n

The revealing memory gives this configuration a precise figure.
The Madoff fraud rests on the same regime: promise of returns, artificial inflation, mixing of flows, absence of ground. Finance becomes a puffed substance, held together by air. Everything takes on light, edible, playful forms, while what is unfolding involves invisible and irreversible masses. When the crisis removes the oxygen, everything falls back down.<\/p>\n\n\n\n

This cinescriptographer does not describe the fraud.
It records its preliminary texture: rise, mixture, blindness, then a fall without spectacle.<\/p>\n\n\n\n

Note<\/strong><\/h5>\n\n\n\n

This cinescriptographer establishes no causal link between the messages sent and the arrest of Bernard Madoff.
It observes how a series of words, gestures, and situations marked by euphoria, confusion, and loss of bearings can, after the fact, resonate with a major financial collapse.
It is neither an economic analysis nor a moral allegory, but a reading by sensitive affinity, in which the bubble \u2014 alimentary, symbolic, financial \u2014 inevitably deflates.<\/p>\n\n\n\n

\u2190 Back<\/a> \u00b7 \u21ba Contents<\/a> \u00b7 \u2192 Continue<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Cin\u00e9scriptographe \u2014 Madoff Aper\u00e7us cin\u00e9scriptographiques (phrases-sources) Premier semestre \u2013 d\u00e9cembre 2008 \u2014 \u00ab C\u2019est comme un big high. \u00bb Phrase envoy\u00e9e par voie \u00e9lectronique \u00e0 une \u00e9mission de France Inter, d\u00e9but 2008. Geste performatif d\u00e9crit par voie \u00e9lectronique : \u2014 \u00ab Mayonnaise, ketchup, pppfffuuurz \u2014 deux tubes de sauces souples vid\u00e9s dans une assiette. \u00bb…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-539","page","type-page","status-publish","hentry"],"yoast_head":"\nCin\u00e9scriptographe de Madoff - Film par Image<\/title>\n<meta name=\"description\" content=\"Cin\u00e9scriptographe Madoff : inscription d\u2019une figure financi\u00e8re centrale dans un dispositif d\u2019attention et de r\u00e9sonance \u00e9v\u00e9nementielle.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmparimage.com\/index.php\/cinescriptographe-de-madoff\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9scriptographe de Madoff - 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